Sedona Film Fest: Days 3 & 4

Tuesday

            Today we took a little more relaxed approach to enjoy the tranquility of Sedona. In the morning, we enjoyed another daily breakfast at the Briar Patch Inn, full of delicious homemade flavors! Quiches, eggs, oatmeal, fruit, and more – a highlight of every morning. Perhaps the most incredible treat were the figs served in orange juice. I have never liked figs but I figured they wouldn’t serve them here unless they were good and to my surprise, they were delicious – ate them every day!

Mmmmmm…

            Bryan had some freelance work to do after breakfast and I took the time to “zen out” at our pad, with the lodging’s CD collection of peaceful music and a book.

Bryan in the zone

Bryan in the zone

            After lunch at the VIP lounge, we made our way South of Sedona for our horseback ride. We met up with Carissa, our guide, and had 2 hours of peaceful enjoyment of some fantastic Arizona landscape. Could not have asked for a better way to experience this region.

 

            Once finished with this ‘Only in Sedona’ experience, we went to see the mumblecore feature Echo Lake preceded by short film Temporary. Following this film, we attended the night’s party at Reds Lounge – we even got interviewed for a local radio station. Fortunately, Christa was at the party again so I was able to properly thank her for such a terrific excursion and a change of pace from the festival.

 

Wednesday

            While Bryan found himself needing to complete yet another round of revisions for his freelance job (one of many recurring jokes during the week) I attended the Producing/Directing panel at Mary Fisher theater. Films represented on the panel: Benjamin Troubles, How to Survive a Breakup, Dating Daisy, Life and Death of an Unhappily Married Man, and 6 Angry Women. I had met Sridhar Reddy, director of 6 Angry Women, at the party last night. After hearing him speak both in person and on the panel about the process, I knew I couldn’t miss his film. As a modern antithesis of classic 12 Angry Men (which is a film that holds up extremely well), his feature is based on the trial of Trayvon Martin’s shooter, which had only 6 women on the jury. Reddy utilized extremely unconventional directing techniques: he worked with the 6 cast members individually for 5 weeks, not telling them what movie they were making, focusing entirely on character development. Finally, 2 days before shooting, he told them they would be playing a jury. The film had no script and was improvised based on themes and a larger trajectory, and was shot in 6 days. He also homages plenty of classic films alongside 12 Angry Men in its style. After hearing all this, I knew I had to see it for myself, and so we did later today.

Sridhar Reddy, 6 Angry Women director is 3rd from left

Sridhar Reddy, 6 Angry Women director is 3rd from left

            To start the day, Bryan and I split up to see different movies. I saw Mustang already a few weeks ago in LA and loved it, so wanted to make sure he got a chance to see it. I opted to see an Argentinean film How to Win Enemies, which is a fairly silly comedy about a man who’s been robbed and trying to find which one of his friends betrayed him. It has stylistic similarities to Wild Tales, another film from Argentina I have seen that is far superior. When Bryan and I reconvened, I was excited to hear he loved Mustang as much as I did: that film is truly a class above in so many ways.

Mustang (2015 foreign film nominee)

Mustang (2015 foreign film nominee)

            At lunch, we ran into filmmakers Bob Celli and Laura Delano who I met at Hollywood North Film Festival last summer! Serentipitous seeing them again. We also met another filmmaker who had crossed paths with Bob and Laura before, Katie Blair, director of Screambox, who we’d see through the remainder of the fest.

            In front of every screening, a board member or festival staff introduces the picture, and for our next screening our friend Lew introduced the film and despite the fact that it wasn’t even our film, he threw us a shout-out to the entire audience. He’s a perfect example of just how welcoming the people here at Sedona have been.

Lew Hoyt, one of our biggest supporters

Lew Hoyt, one of our biggest supporters

The feature film was Sundance alumni (T)error about an FBI informant chasing down a potential terrorist. The story displays the unfortunate reality of racial profiling and the ineffectiveness of a lot of the programs the FBI has set up. While this is a very good documentary, I personally preferred a short film called Entrapped which I saw at Sundance and you can watch online for free!

            While I enjoyed this feature, the short film that played in front of it was my favorite short of the festival! Elle, is a Belgian 20-minute short that blends a mix of horror, comedy, and romance seamlessly together toward one great piece. Essentially, the film is about a one-night stand that takes a turn when it becomes clear the woman has something mysterious living in her apartment with her. It’s a near-perfect short and exactly the type of film that I love.

Elle (short film)

Elle (short film)

            After the screening we met Steve Grant and Bob Loudin, who had been at our film screening earlier this week and gave us great praise! We enjoyed dinner with them at the VIP Lounge and talked about movies and working in film. We would see them throughout the festival and look forward to seeing them some time in LA.

            Our last film of the day was the aforementioned 6 Angry Women. Again, I was definitely wary of if the film could live up to its unconventional approach, and sure enough the film did live up to the expectation. It’s a movie that speaks to today’s injustice in a profound way and manages to make sense of the bafflingly unjust result of the trial, and of many others. This was a fantastic film festival movie because by having the filmmaker there allowed for a conversation to begin and further understanding of the larger situation. This is not a film that can be seen in a vacuum. It was also especially cool because Bryan and I watched 12 Angry Men together in college, adding to the power of seeing this one together. The film also played with a short called Condemned, and the writer/producer was present for a Q/A.

            Tonight’s party was at the Agave Sedona and we were able to talk with Sridhar a bit further, as well as enjoy some great food from Heartline Café. Another great cap to a fantastic day, as each one continues to feel increasingly fulfilling.

Sedona Film Festival: Days 1 & 2

            Early in January while at home one afternoon, I got a phone call from a number I didn’t recognize. It was Patrick Schweiss, director of the Sedona Film Festival personally calling to congratulate me for the acceptance of Don’t Tell My Mom as part of their official selection for the 2016 festival! From this immediate first impression (the ordinary festival would've just sent an email), I could tell that this was going to be a special festival experience.

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            On top of being accepted, I was offered 6 free nights of lodging (!) and 2 all-access passes. I recruited my composer and former roommate Bryan Hume to join me on this adventure, and on Sunday February 21, we hit the road for a weeklong excursion in Sedona. We were in for a delight in every way possible!

Sunday

Best license plate ever

Best license plate ever

            Starting with a fantastic drive, 8 hours of catching up after months of Bryan and I not seeing each other, we made our way from LA/OC to Sedona, and made it to our lodging in time to catch a beautiful sunset. We stayed at the Briar Patch Inn, which was essentially a Zen mountain center: tucked away to the North of Sedona with beautiful grounds and a creek running by it. The woman who gave us our keys added to this mystique by the way she described the place. We’d learn that most of the other filmmakers were staying at more conventional hotels, some how we lucked out and stayed here!

This was where we stayed!

            After checking into this fantastic getaway (and plenty of honeymoon jokes) we treated ourselves to a delicious dinner at Pisa Lisa, a locally owned restaurant that we went to merely because it was close to the festival headquarters but it had some of the most delicious pizza flavors I’ve ever had! We loved it so much we ate here again later in the week.

Pisa Lisa pizza

Pisa Lisa pizza

            Now we checked into the VIP Lounge, got our passes, and enjoyed our first of the nightly parties hosted by the festival. Every night there would be a 9pm party at a new venue with free drinks and food! And we found out that lunch and dinner was served in the Lounge every day: including our breakfast served at the Inn, we wouldn’t have to pay for a single meal for the week! This is where the festival began to feel like an idyllic alternate reality.

            We found from the very first night that the parties were a fantastic way to meet a mixture of filmmakers, festival board members, VIP guests, and local residents. We befriended board member Lew Hoyt the first night and he’d continue to be one of our biggest supporters through the fest – he pitched our film better than we did! The festival currency was Lobby Cards (see photo below) and I am thankful to Eric Otten for the suggestion that I bring them to Sedona as a way to get the word out about the film. Things only could get better from here!

DTMM Lobby Card front and back

Monday

            Kicking off our first day with a 12pm showing of our film, Don’t Tell My Mom. This one was in the small theater and every seat was filled! The audience laughed at every joke and applauded tremendously: I’ve come to realize the film plays the best among crowds of people who have kids of their own. Screening followed with a Q+A with some great questions about writing, budget, production, music, credits, and more: we made sure to ham it up and make as fun of answers as possible since those are my favorite types of Q/A. When asked if we had told our moms about the film (a recurring question through the fest), Bryan got the biggest laugh when he said “My mom is pretty much the mom from this movie.”

            Our screening was followed by the documentary Very Semi-Serious, which is an in-depth look at the New Yorker cartoons and cartoonists. As someone who grew up with New Yorkers always around the house, this was an excellent look at their significance and creation, and how each one is an expression of the eccentric artists behind them. I also have a connection to the film’s DP Kirsten Johnson, who directed Cameraperson which was one of the best movies I saw at Sundance.

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            Next up we attended the world premiere of Lost & Found, due to the fact that we had met the director Joseph Itaya in line the night before: one of the best parts about the festival was meeting filmmakers and then scheduling their movies afterwards. Lost & Found is essentially a Hardy Boys novel come to life, with some great family-friendly mystery and spectacular locations in the Pacific Northwest. Cary Elwes (The Princess Bride, Saw) plays the ultimate Scooby-Doo style villain and has a blast doing so. The film was accompanied by the short We Detected Your Footage May Be Shaky, and I loved how the festival usually programmed shorts with features as an opportunity to see more projects!

            We enjoyed catered lunch and dinner in the VIP Lounge with a new restaurant every day – only one day didn’t provide vegetarian options, but otherwise the food was always delicious! Equally as important, these were the best chances to meet people throughout the week.

            Next up was a program not in the world of film but that of theater: Dr. Keeling’s Curve is a one-man-show starring Mike Farrell (who I admittedly hadn’t heard of but was a star on MASH) as the scientist who first started researching carbon dioxide. The play was a terrific exploration of one man’s life in parallel with the increasingly dangerous climate change and global warming. I appreciated how up-to-date the play felt, including mention of the effect of the meat industry, the frozen methane, and the current refugee crisis which are all related to the bigger issue at hand. I hope that this message can reach audiences all over the country, and had a chance to meet Mike Farrell and thank him at the after party.

Mike Farrell in "Dr. Keeling's Curve"

Mike Farrell in "Dr. Keeling's Curve"

            By the 9pm party it had already felt like we’d been here for a long time but it had barely been 24 hours! We’d often run into the festival director, Patrick Schweiss, who is the heart and soul of the Sedona festival, and his exuberant energy exemplifies how wonderful an experience this place is. A huge highlight of this night’s party was that I met Christa, the manager of Horsin’ Around Adventures. After a nice conversation, she set us up with a horseback ride for the next day!

Adventuring to the Bay of Quinte and the inaugural Hollywood North Film Festival

A lengthy summary of my experience last weekend heading to a festival screening Don't Tell My Mom. Please enjoy!
Festival information: http://www.hnff.ca/

Day 1 (The Journey Over)

            My trip to Belleville began at 4:00am with my first ever Über ride (I officially live in LA now) to LAX catching my flight to Chicago. I had no idea that I was in for one of the most hectic travels days I have yet encountered. Upon landing in Chicago, I casually strolled through O’Hare airport and decided to ask for help to find my gate. My flight from Chicago ® Toronto was on a small airline, Porter Airways, so I would probably need to do some walking.
            As I asked the info desk, I noticed something that I had failed to register so far: this flight was flying out of Midway airport, not O’Hare! My situation quickly changed from relaxed to frantic:
            “How far away is Midway?!”
            “An hour an a half by train”
            “My flight leaves in that amount of time!”
           Without any hesitation I ran out the airport, hopped in the nearest cab, and told him to step on it across town to Midway airport, with every second counting! As someone from Denver, I never questioned there might by two different airports I would be using in the same city. If there’s any benefit to this honest mistake, it’s that now that I’ve made it and you are reading this, it will prevent the mistake from happening again.
            My cab driver was not in as much of a hurry as I was, and still had important updates to check on his cell phone as he drove. Regardless, we made it across town in a solid 50 minutes, not bad considering the traffic, and with 25 minutes until departure. I paid with cash and booked it through the airport, cutting the security line as politely as one can, thankful for the fact that nobody was skeptical of my urgency. Running for the last segment, I made it with 10 minutes until boarding, catching my breath with relief. My fellow passengers seemed amused by my crazy mishap that had brought me here.

            After a relatively brisk flight to Bishop Billy Airport in Toronto, I took the shuttle to Union Station and made it right on time to catch the final leg of the trip: a train! Complete with wi-fi, food for purchase, and a porter whom I befriended, the sparsely full train was a terrific way to experience the beautiful countryside. In comparison to the endless urban jungle of Southern California, the train offered a spectacular view of green pastures alongside the vast Lake Ontario. The 6:00pm (or should I say 18:00) sunlight could not have made it any more picturesque.


           Over the course of today’s journey, I watched Beyond the Lights on my computer, one of last year’s critically acclaimed movies. It’s a great film and had I seen it sooner I would have recommended it more. Essential viewing for anyone interested in media representation of women and non-white individuals, and manages to cover an entire gauntlet of extremely relevant topics all while remaining a powerful love story. I also just watched What Happened Miss Simone? on Netflix and Nina Simone’s music plays a pivotal role in this film so was happy to have context. Both those movie are streaming on Netflix - I highly recommend them.
            As I exited the train at 7:30pm I was met by a woman I only recognized by her Hollywood North Film Festival (HNFF) badge. “Are you Nelson?” she asked: this was festival organizer Jacob’s mother! She was here to take me to the opening night.
            A common theme from the festival itself begins here – this is a new festival and everyone involved strove to express a strong feeling of community and a welcoming attitude. I was picked up in a 1970 Monte Carlo by Jacob’s mother and a driver, and taken directly over to the Empire Theater where opening night was just beginning. I dropped off my bag behind the counter and was immediately brought in for an interview regarding my film.

The Empire Theatre in Belleville, Ontario

            I began to meet as many different people as I could, nearly all of whom were from the Bay of Quinte region. Everyone was quite surprised to see that I had made it in all the way from Los Angeles – it’s the other side of a continent after all - after today’s journey I can see how it seems so far. I met another student filmmaker, Nick Roy, who had his film in the festival as well, and we headed inside for the feature.
            The opening night film was a Swedish movie called The Philosopher King. I had many critiques of the film but was able to talk through with Nick whom I sat next to. After the film ended, the festival volunteers offered to take me to my accommodations. Two volunteers, both age 18, offered to drive me to my AirBnb. Ironically enough neither were from Belleville so I ended up giving them directions because I had looked it up in anticipation of walking there after the festival.

            I met Heidy, my AirBnb host, who rightfully so has immaculate reviews on the website. A Swiss born woman, Heidy has lived in Belleville for 40 years and is retired. She not only has an empty bedroom she uses for AirBnb, but also hosts 2 foster children and 2 adults with mental disabilities. I was greeted with fresh fruit in my room, a cozy bed, and the promise of a hot breakfast in the morning. After a long day of travel, I could hardly ask for more: I made it to Belleville!